Its creation led by pure emotion, Cate Le Bon's seventh record Michelangelo Dying usurped the album she thought she was making. The product of all- consuming heartache, her feelings overrode her reluctance to write an album about love, and in the process became a kind of exorcism. What emerges is a wonderfully iridescent attempt to photograph a wound before it closes up but which in doing so, picks at it too.

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